School Bus, by Erin Rollman

(written for a genderqueer performer) When I was in junior high, I lived only a block and a half away from school. It took minutes to get there, cut even shorter if I ducked through a hole in the fence and walked right across the small field next to the school building. But every morning I would leave home far earlier than necessary and walk 15 or so blocks in the opposite direction to catch a big yellow school bus. It seems silly to say now, but I did it in an attempt to be normal. I know, I know, but hear me out:

So many kids rode the bus. So many kids complained about riding the bus. It was a part of junior high culture and I was missing out because of the location location location of my home. I mean, I’m sure the proximity to a school is part of the reason my parents got the place. But, each morning I walked in the wrong direction in order to complain about my subsequent bus ride. And each afternoon I rushed out of the building in time to jump on the bus – unable to participate in this after school activity or that one, sometimes dashing out mid-conversation with an “ugh, bus”.

Needless to say, this did not make me ‘normal’. All it did was make my life more difficult. Of course, this should come as no surprise. Normal things – a nerve-wracking phrase, despite or maybe because of its lack of meaning – normal things are always wildly difficult. Isn’t it the case that you never feel more outside of yourself than when you are doing something you think you are supposed to do? Doing normal things is like playing a massive life-encompassing game of follow-the-leader when nobody knows who the leader is – their just sure it isn’t them.

Beat

Here are some other phrases I find nerve-wracking, only some of which have meaning:
fiscal responsibility
hang in there
life choice
truly humbling experience
crystal clear
not an exit
identifies as
and criss cross applesauce … Well, that one’s not nerve-wracking if you really just want me to sit down cross-legged. But if it comes with the assumption that I will be squirm-free and attentive, we might have a problem.

Beat

It actually gives me a little thrill that my young attempt to be normal was, in fact, very, very not normal. I don’t often ride buses at all these days. I sure as hell won’t walk out of my way to hop on an unnecessary one…

I mean that both literally and metaphorically, in case that wasn’t crystal clear.

More info: Erin Rollman is an all-around theatrical badass and incredible human. Learn more about her theatrical work at https://buntport.com/

Donate! Your donations keep The Non-Binary Monologues Project going. We are pleased to announce that we have been selected as an Incubated Artist through Headlong. This means that your donations are now tax-deductible!

Donating is easy. >>Visit this link. Make sure to mention The Non-Binary Monologues Project in the notes section of the form, and you’re all set!

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Ash, from Poltergeist, by Alika Magas

ASH: Shift supervisor at a gay bar; an awesome kick-ass non-binary individual who knows a solid thing or two about the way the world really works. Very mature while somehow utterly inarticulate. They/Them/Theirs.

ASH. Hey Kitt, it’s me. Obviously. Hey, I, uh, well I just wanted to call and see how the

(HEAVY air quotes on this one, even if it’s not with their fingers.)

“hang out” is going. I still think you’re an idiot for doing this, so I don’t know if silence is a good thing or a bad thing and I’m not trying to like be a total queer dad-mom-parent-whatever about this or anything, I’m really not, you’re a big boy, you got this and shit like that. But. You’re always texting updates when you’re like this– Jeez. Sorry. Look at me, getting over involved in my friends again. Wow. Okay. Well, call me or text me or something? Just don’t do anything I’d tell you not to or regret or– goddamn it there I go again. I’m gonna hang up before it gets worse or the voicemail lady cuts me off. Okay. Call me back or something. Bye.

 

ASH. I’m so so sorry, Henry–

(A long beat. Relive the warning, the attempt, the long night in the hospital afterwards.)

–you were my regular for almost longer than Kitt’s worked there, and I– I should have known. Fuck, I was pouring that beer and… something was up, you’re always jittery but not like that and I didn’t do anything I just let you walk out of that fucking bar while I told my story and all I wanted was to get to the end. How messed up is that? You were sitting there, red flags might as well been on fire, and all I can think to myself is: damn, I hope he doesn’t make some dry joke or interrupts, he really needs to hear the end. I really need him to hear the end. But does it matter?

(Another beat.)

What matters is I was thinking that and you were…

(Beat.)

Can we talk about something else?

 

ASH. Hey Kitt, it’s me. Obviously. Y’all are probably still in the air. Lucky fuckers. Still love you though, any way, I just wanted to know if y’all had a safe flight so call me when you land or something and jesus I’m doing the queer dad mom parent thing again and I still really need to learn to stop with that don’t I? I guess, guess we both do actually. Don’t tell Henry I said this, he’d probably get all defensive and stuff, kid couldn’t take a compliment even if I wrote it into a screamo song, jesus christ, but I’m proud of you two. Like a lot. My two little babies are growing up. Okay that one was intentional, I’m not that bad. I’d like to think I’m not. But… uh… yeah. So remember to do some fun things while you’re out there, kay? I’ve heard Casa Bonita is actually a real place so maybe track that shit down and send me a few pictures or something. We could video chat on the Face time maybe? Okay that is like the single most old-person parent thing that’s ever come out of my mouth so I’m just gonna hang up now before I say anything else or the stupid voicemail lady cuts me off. But, really. Have a good break, smoke a joint, don’t let Henry get too angsty and–

(The voicemail lady cuts them off)

Goddamnit.

 

More info: alikamagas (at) gmail (dot) com

Donate! Your donations keep The Non-Binary Monologues Project going. We are pleased to announce that we have been selected as an Incubated Artist through Headlong. This means that your donations are now tax-deductible!

Donating is easy. >>Visit this link. Make sure to mention The Non-Binary Monologues Project in the notes section of the form, and you’re all set!

Candy Heart, by Woodzick

WRENN (they/them, AFAB).

I’m writing this because I’m on the plane and the guy next to me is watching a documentary about Hitler and I honestly don’t know his intentions behind watching it. So, in case I die while on or getting off this flight, I wanted you to read this. I don’t know if I would be able to say any of this in person.

I get that you’re a gay guy. And I guess the thing is that on the inside I’ve always felt like I was a gay guy, too. Gay men are always the people I have been attracted to the most. The ones who break my heart the most. The “oh, if I were straight, I’d totally date you, but I’m not straight, and so….”

I am painfully aware that my outside doesn’t always match my inside, and I don’t know if it ever will in that way. I like the me I’ve become, not a man and definitely not a woman, but instead something that is both and neither at the same time.

The thing is, my heart is on the inside and my heart thinks it could be, would really like to try being with your heart and, I know, I know have the tendency to be naive and idealistic, but on some, basic, human level, isn’t that the only thing that should matter?

So here I am, in front of you, asking you if you think you could be with someone like me. Or try?

I hate being vulnerable and I hate that I keep trying at this and people either hook up with me and tell me it was a mistake or they tell me I’m a mistake and they just don’t think they could ever picture themselves being with someone like me.

I think my heart can only survive so many more of these conversations.

It takes a lot for me to be saying this to you. And, sincerely, I’m not trying to force a certain answer. I just wanted you to know that—this is not something I share lightly. It’s not something I do often.

But I’m doing it because I think you might just be worth it and it’s OK if you’re not. And it’s OK if you don’t think of me that way.

But it’s really rare that I feel this way about somebody, so I just had to try.

 

Donate! Your donations keep The Non-Binary Monologues Project going. We are pleased to announce that we have been selected as an Incubated Artist through Headlong. This means that your donations are now tax-deductible!

Donating is easy. >>Visit this link. Make sure to mention The Non-Binary Monologues Project in the notes section of the form, and you’re all set!

Narrator, from 10 Myths on the Proper Application of Beauty Products, by Buntport Theater in collaboration with Diana Dresser, Miriam Suzanne and Michael Morgan

Narrator (a trans egg):

It’s one of those mornings where you wake up, not knowing where you are in time. At some point Sam dies, but I don’t think we’re there yet. I suppose at some point, we all die, but we’re not there yet either. Have Sam and Herman melded together? Sam had a fever, and Herman sat with her through the night, and by morning they became one. That’s one story. Others say it happened chopping onions for dinner, when Sam slipped in a tad too close, and stuck. I don’t know. People seem to agree that it was something mundane. But that happens later, I think. Sam is alive and alone. Still dressing and undressing for the camera — trying to get it right. In any case, I woke up feeling like people — all of us — are made of complicated stuff. Too hard to understand or fix. So I’m screwed because I am breaking down and unfixable. And, to make matters worse, time is passing. Lots of it. Because nobody has yet figured out how to stop it in such a crisis. Someone should really get on that. So that’s the kind of morning it is. And it took forever to pull pants on over my legs because I didn’t understand what the fuck my legs even were. It’s time I get a handle on this. It’s time that there are no mornings like this. I want to wake up knowing that it’s simple: that I am made of tinfoil and paperclips. So I took initiative and looked it up. “What are people made of” I typed. And nothing is helpful. Because we are apparently made of everything: we are made of calcium, oxygen, carbon, hydrogen, nitrogen, and phosphorus or body, mind, intellect, ego and soul or, according to a Modest Mouse song, nothing but water and shit. Or snips and snails, and puppy dogs tails if you are a little boy or sugar and spice and all things nice if you are a little girl which makes it ten times more complicated because now I am required to think of myself as something more specific than just a people — I mean, a person. (beat) Ha! A little boy, a little girl, a little people. I don’t know… fuck it if it’s that kind of day.

Bunport Theater is awesome! Check out their work and upcoming shows here!

Donate! Your donations keep The Non-Binary Monologues Project going. We are pleased to announce that we have been selected as an Incubated Artist through Headlong. This means that your donations are now tax-deductible!

Donating is easy. >>Visit this link. Make sure to mention The Non-Binary Monologues Project in the notes section of the form, and you’re all set!

If I Were A Cis Man, a parody by Sandy Sahar Gooen

In 2019, The Non-Binary Monologues Project wants to expand our offerings to include scenes and musical theatre selections. If you have submissions in either of these categories, please send them our way!

Here are the lyrics and video of Sandy Sahar Gooen’s edit of “If I Were a Rich Man,” from Fiddler on the Roof. Enjoy!

If I were a cis man
(Insert yeshivish riffing)
All day long I’d ——
Were I a cisgender man

Wouldn’t have to work hard
To try to pass or live or even hide which school that I am from
If I had a Y instead of X biddy biddy biddy chromosome

I’d take up space but wait don’t worry not too much just more than currently I can. You know, that thing called actual self esteem. As things are now it’s not like I can really do much cept wait to be seen as a real man. Just being accepted is the dream.

I would go out at night
Not worry about safety
Why would I bother with all that
Since I’d be much closer to 6 feet tall
No one would ask me “when are you having kids” “when are you getting a dick” and other very personal things that they don’t deserve to know. I don’t care for that shit at all- oy.

CHORUS

If I were Cis I’d have the privilege I lack to go to ANY synagogue and pray. And not be scared of judgment—- how great is this?
I’d like to add that I’d still count for a minyan if I were Cis but still completely gay. So long as I had you know- a bris.

The most important men in town wouldn’t talk down to me. They would actually respect me. Just like any other guy
They’d say shalom Sahar
What do you think sandy
Instead of sitting blankly there, rolling their eyes
(Chazanut/yeshivish riffing)
And it won’t make one bit of difference if I answer right or wrong
When you’re Cis they think you really know.

I would be able to use my voice for the better to stop toxic masculinity and uplift all my siblings, big and small.
I would be heard and make sure others were listened to other than just guys like me… that would be the sweetest thing of all. Oy.

Chorus

Lord who made the world in just six days
You made me stick out from theatre gays
Would it spoil some vast eternal plan
Were I a halakhic man!

 

 

 

Donate! Your donations keep The Non-Binary Monologues Project going. We are pleased to announce that we have been selected as an Incubated Artist through Headlong. This means that your donations are now tax-deductible!

Donating is easy. >>Visit this link. Make sure to mention The Non-Binary Monologues Project in the notes section of the form, and you’re all set!

Teddy, from Riot Brrrain, by Caitlin M Caplinger

TEDDY (they/them)
It’s not a swing and maybe that’s how the world has portrayed it like this very lateral process you’re up then down then up down then up down up down and those are your only two modes

                            Deep breath and reveal

bipolar two
literally the name that you’re only occupying these two spaces you’re stripped of that middle the regular the calm
to say nothing of the void that is co-existing pouring in and out of the cracks filling you out making you into one whole lotta
into one whole stunning rich worthy helluva person

                          TEDDY enters into the revolving door (hypomania), moving slowly

it’s more a revolving door where at different times you’re burrowed in a pocket that’s allowing you to conquer the fucking world you are up at dawn who needs food I will accomplish everything in the universe who needs sleep who needs health who needs fucking money spend it all on shit that temporarily grounds me or takes me to the next goddamn level I am above those things I’m the one to take you to the hospital at 3am because I can’t get to sleep because what if someone dies my phone needs to be on I will murder someone most likely me

                 Ducks out and into another door section (baseline), the revolving speeds up

the next pocket is chill cool as a manic pixie cucumber the parts you like the acceptable mode the kind of calm you only feel after a Michelin star orgasm

                Ducks out and into another door section (depression), the revolving speeds up

fuck this pocket

                     The revolving speeds up

but the comforting aspect is that because its spinning there’s this gravity keeping you in one of these 3 pockets so you know what to expect

                    The revolving stops, TEDDY drifts out

it’s the days when gravity stops working when there’s no force pushing me into the center of the door when I could very well float out when the color leaves my cheeks and talking is useless because who would I communicate with it’s the days where you find me unapproachable intimidating because I don’t have an expression on my face or I don’t immediately kiss your ass or I just seem above it all but I suspect actually deep down you can sense there is nothing and that scares the shit outta you

Context: Teddy definitely, 100% has neurosyphilis — oops! To track down the dipshit who passed the pox, they embark on an epic punk-filled journey through their sexual (ok, sometimes romantic) past. Riot Brrrain features an original soundtrack, canonically non-binary and bisexual characters, and loads of biting humor.

This monologue ends the play. After acting some kind of fucked up for 90 minutes, Teddy finally confronts their own challenges and shame: they do not actually have neurosyphilis, its Bipolar 2.

More info: caitlincaplinger.com | caitlincaplinger@gmail.com for inquiries and performance permission

Donate! Your donations keep The Non-Binary Monologues Project going. We are pleased to announce that we have been selected as an Incubated Artist through Headlong. This means that your donations are now tax-deductible!

Donating is easy. >>Visit this link. Make sure to mention The Non-Binary Monologues Project in the notes section of the form, and you’re all set!

Cole, by Ella Gabriel

Cole (they/them) I keep having the same dream over and over again where I’m sitting in the corner of what I think is a room but it turns out each time to be this massive container the size of the front part of a ship and suddenly the ship starts closing in on me and I can’t go out and I have to squeeze myself into the tiniest little ball possible so I can barely breathe and the killer is this — and it’s always slow-motion at this part — I realize I just won’t make it because the container is moulded to the shape of the ship so there’s just no space for me at all. [Beat] Sometimes I see these guys who just don’t even have to think about whether or not to speak in any given moment. They just go for it. Like it’s their moment to fill in the first place. Their space to take. And then I think of my own confidence, right? And how everyone says how bold and unafraid I am of speaking my mind and grabbing opportunities but they don’t realize that’s a choice I made early on. Probably in direct reaction to that recurring dream. It’s something I’ve worked real hard to be able to do. Rather than some sort of birthright.

Context: This is one of 200-odd monologues I’ve written as a series for myself as an actor this year. I write one per day as a kind of artist challenge that I’m doing every weekday of 2018 and then I film one and put it on my socials at the end of the week. This one was number 79.

More info: iamellagabriel.com // email: ellacgabriel (at) gmail (dot) com

Donate! Your donations keep The Non-Binary Monologues Project going. We are pleased to announce that we have been selected as an Incubated Artist through Headlong. This means that your donations are now tax-deductible!

Donating is easy. >>Visit this link. Make sure to mention The Non-Binary Monologues Project in the notes section of the form, and you’re all set!

Liv, from Great Big Sky, by Claire Gilbert Haider

LIV. (They/Them)

I’d already been living in the Bay Area for a year maybe when he died. And I was loving it there, I mean, I am queer as fuck and I look better in a suit and tie than any cis man I know. I’d been wearing blazers and button ups for about a year by then — my genderqueer calling card, as it were. I never added my dad on Facebook. He couldn’t even know I was queer, let alone genderqueer, that would have killed him faster.

I remember when I was in high school I had hair down to my waist. I was already wearing boxers by that time, but my hair screamed femme to most people so that’s the role I played. When I finally cut it short, after I got out of my secret queer relationship — my dad hated it. He said long hair was so attractive to men. Men liked it, and didn’t I want to be appealing to men? First of all, yuck. Saying that to your own kid — yuck. But secondly — and this I never got to tell him — why the fuck did he assume I wanted to be attractive to men? Who said my hair or my anything was a signal to cis men that I was looking to be their white picket fence, their vacuuming in pearls, their subservient flesh sleeve for the rest of my life? So Jane and I broke up, and I cut it all off, I went hard into the David Bowie look while in Oakland. I mean, three piece suits, pocket watches, the whole nine. I killed it.

Anyway, when he died I got his ties. I got his tie clips. I got his antique pocket watch that has to be wound, that has his dad’s name and his name engraved in the back. It’s all mine now. And when I wear it? I know he wouldn’t understand it. Wouldn’t approve. I’m carrying on the things I miss most about him and he’d think there was something wrong with me for it. Anyway, I still look better in a suit than he ever did. Take that, Dad.

More info: This monologue is from a play in progress called Great Big Sky by Claire Gilbert Haider. Liv and their friend Ziggy are hiking through the Yosemite Valley spreading Liv’s father’s ashes around the park. This monologue takes place in Tuolumne Meadows. For further information please contact clairehaider (at) gmail (dot) com.

Donate! Your donations keep The Non-Binary Monologues Project going. We are pleased to announce that we have been selected as an Incubated Artist through Headlong. This means that your donations are now tax-deductible!

Donating is easy. >>Visit this link. Make sure to mention The Non-Binary Monologues Project in the notes section of the form, and you’re all set!

Ciel from Crashing, by Jonathan Alexandratos

CIEL is a non-binary character in my play CRASHING. They can also transform into a plane. Here, they talk to their new neighbor, PHOEBE, after a moment of connection.

CIEL.
Okay so.
See this toy airport thing?
I’ve been building this since I was a kid.
It all started because I got this one toy. It was one of those Happy Meal toys,
Y’know, like you get from McDonalds?
I was, like, eight, and they had one of those ones:
Barbie or Hot Wheels. Remember that?
Barbie or Hot Wheels.
And the Barbie was the “girl toy”
And the Hot Wheels was the “boy toy,”
Which, I mean,
What a horrible position you put those poor workers in.
Right?
Like, they work 12-hour shifts for minimum wage,
And now they gotta gender your kid, too?
Anyway of course they couldn’t tell with me
Because I looked somewhere between Chucky and Bride of Chucky,
So that meant I got Hot Wheels.
I sat down,
Opened it up.
My mom was furious.
“How could you get a Hot Wheels!?
“You’re a girl!
“You were supposed to get a Barbie! “
Those damn burger-flippers!
“They can’t see a girl when one’s slappin’ ‘em in the face!”
Thank God this was before the era of the cell phone video
Because this shit woulda been all up on YouTube. Anyway, we were asked to leave the establishment,
And I kept my little Hot Wheels plane.
Which I loved!
It was a plane! I thought Hot Wheels was just cars, but here was a plane!
And this little plane created this whole thing where my mom got all upset maybe because on some level she knew I wasn’t ever gonna look like what she expected me to look like.
But also because it was everything I was, just boiled down into a tiny little thing.
They said “she,” McDonald’s said “no,” now I say “they.”
I got a charge outta that.
So I told this little plane that I’d build ‘em an airport and all sorts of other stuff would fly in and out and they could fly in and out
I did that, and, when it was basically done, something kinda crazy happened:
I transformed into the plane
The little toy plane
It felt like a “thank you,”
Like this little toy plane wanted me to feel how it felt to finally have a place to land So it made me into a toy plane, too
And I flew around my bedroom,
And I felt the lift all around me
Holding me up
I controlled my descent and landed so smoothly I could barely tell I was on the strip of cardboard I laid down as a runway.
And once I came to a halt
I was allowed one last wisp of air to course over my wings
And I unfolded back into a person.
That’s when I knew I was a “them.”
Because if there’s an airplane in here,
I didn’t have to just be one thing anymore.
So if my gender is anything,
It’s this little plane.

More information: https://newplayexchange.org/users/3845/jonathan-alexandratos

Donate! Your donations keep The Non-Binary Monologues Project going. We are pleased to announce that we have been selected as an Incubated Artist through Headlong. This means that your donations are now tax-deductible!

Donating is easy. >>Visit this link. Make sure to mention The Non-Binary Monologues Project in the notes section of the form, and you’re all set!

Blue, from The Finality of Tits, by Avery Kester

BLUE. A friend once told me a joke and it was that dating when you’re queer is like looking for a job, you either do it online or you get referred. Pause now for laughter. Like a job too, people always seem to think there are partners everywhere just waiting for you to come and claim them, and when you don’t have one, all of your friends and relatives start telling you about a local place that’s hiring. My long resume doesn’t help me in the dating world, I’ll tell you what. So I have an account on Tinder. And OKCupid, they’re kind of the best ones to be queer on. Kind of messed up really. I’ve still gotten a lot of hurtful messages about how my gender is fake and I’m a liar and an attention whore. But what I’m trying to tell you isn’t really about that, it’s about what are called unicorn hunters. You’ve never heard of them? Unicorn hunters? What is this, dragons and dungeons? Well not quite my friend. Unicorn hunters are straight couples looking for a bisexual woman to join their existing relationship. She has to be into the same kinds of things as they are, but also have her own interests. She must be open to having sex with them, both of them, whenever they see fit. She must want more connection than just sex but also understand her place as an outsider to the relationship. Usually she must also be the picture of femininity and trans girls need not apply. She, like unicorns, doesn’t exist. Which is why they’re called unicorn hunters and not famed unicorn prize catchers. I am not a unicorn for many reasons, but chiefly because I am not a woman. Not a woman. Hello yes it’s me, genderqueer with tits, but distinctly not a woman. Look at me in this suit. This is a man’s suit. Look at me with my haircut. This is a trademarked genderqueer haircut. Really more of a zebra than a unicorn. Real but flighty and introverted. I know about the finality of tits. I understand that because I have them, everyone everywhere will always assume that I am a woman. I can’t afford to lose them anymore than I can afford to keep them, surgery is expensive. I think about cutting them off myself sometimes, when it gets really bad. But I’ll tell you, there is not much is this world that makes me feel as terrible as when I receive a message from a pair of straight folks looking for a unicorn. “Hey there cutie! My hubby and I are looking for a fun loving girl to join us in the bedroom!” Or “My boyfriend says you’re one of the prettiest girls he’s ever seen! Can we take you to lunch?” I am not a woman. I am not a girl. I…. I’m… not a girl. And I work hard at that okay? I have manufactured this look, this walk, this manner of speaking. I know what I’m about and it’s distinctly between the binary. But even though I spell that out in the 500 character about me section on Tinder, they still say things like that to me. I spend so much time hating my body and wishing that it would fuck off. I don’t need the arrows of unicorn hunters to help me with that.

More info: Please contact the playwright Avery Kester (They/Them) at the following email address: averypkester (at) gmail (dot) com.

Donate! Your donations keep The Non-Binary Monologues Project going. We are pleased to announce that we have been selected as an Incubated Artist through Headlong. This means that your donations are now tax-deductible!

Donating is easy. >>Visit this link. Make sure to mention The Non-Binary Monologues Project in the notes section of the form, and you’re all set!